
Come Out Fighting Ghengis Smith Vinyl Record
Come Out Fighting Ghengis Smith is English folk / rock singer-songwriter and guitarist Roy Harperâs second album and was released in 1968. The album was re-issued in 1977 as The Early Years.
Columbia Records, recognizing Harperâs potential, hired American producer Shel Talmy to produce the album. Talmy later claimed that âHarper was difficult⊠truculent⊠we battled. But we got round to itâ.
Musically, the album was notable for the 11 minute track âCircleâ comprising several movements, âa soundscape of Harperâs difficult youthâ that, according to Harper, was âtotally unlike anything anyone else was doing. The Beatles werenât doing anything like that at the time. The Stones werenât doing anything like it, either. No-one wasâ
Career-wise, the album was notable for establishing a broadening in Harperâs musical style away from the more traditional side of contemporary folk music then played. Harper had an interest in traditional folk but did not consider himself a Bona fide member of the folk scene. He later explained:- I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernise music, but more than that to completely modernise peopleâs attitudes towards life in general. I was involved in trying to bring (more) meat to the (contemporary) folk musicâŠ(of the time).
Harperâs record company had different expectations. "They wanted me to write commercial pop songs and when they heard the albumâŠthey didnât have a clue. They wanted hits. And I gave them "Circle"". Bert Jansch contributed sleeve notes for the album. During this period, Harper was managed by American music entrepreneur Jo Lustig; manager of The Pentangle and former agent to Julie Felix.
[[Release Description]]Come Out Fighting Ghengis Smith is English folk / rock singer-songwriter and guitarist Roy Harperâs second album and was released in 1968. The album was re-issued in 1977 as The Early Years.
Columbia Records, recognizing Harperâs potential, hired American producer Shel Talmy to produce the album. Talmy later claimed that âHarper was difficult⊠truculent⊠we battled. But we got round to itâ.
Musically, the album was notable for the 11 minute track âCircleâ comprising several movements, âa soundscape of Harperâs difficult youthâ that, according to Harper, was âtotally unlike anything anyone else was doing. The Beatles werenât doing anything like that at the time. The Stones werenât doing anything like it, either. No-one wasâ
Career-wise, the album was notable for establishing a broadening in Harperâs musical style away from the more traditional side of contemporary folk music then played. Harper had an interest in traditional folk but did not consider himself a Bona fide member of the folk scene. He later explained:- I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernise music, but more than that to completely modernise peopleâs attitudes towards life in general. I was involved in trying to bring (more) meat to the (contemporary) folk musicâŠ(of the time).
Harperâs record company had different expectations. "They wanted me to write commercial pop songs and when they heard the albumâŠthey didnât have a clue. They wanted hits. And I gave them "Circle"". Bert Jansch contributed sleeve notes for the album. During this period, Harper was managed by American music entrepreneur Jo Lustig; manager of The Pentangle and former agent to Julie Felix.
- Limited Edition reissue originally released in 1967
- Produced by Shel Talmy
- Orchestral Arrangements by Keith Mansfield
- Remastered Audio 2017 reissued on 12â 180gm Vinyl
- Packaged in deluxe gatefold sleeve
- Printed heavy inner sleeve including lyrics, extra notes and images.
- Artwork Redesign by Harry Pearce
- Genre: FOLK
- Format Detail: LP Black
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Format: Vinyl
- Released: 10/30/17
- Internal ID: JIT
Original: $16.99
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Description
Come Out Fighting Ghengis Smith is English folk / rock singer-songwriter and guitarist Roy Harperâs second album and was released in 1968. The album was re-issued in 1977 as The Early Years.
Columbia Records, recognizing Harperâs potential, hired American producer Shel Talmy to produce the album. Talmy later claimed that âHarper was difficult⊠truculent⊠we battled. But we got round to itâ.
Musically, the album was notable for the 11 minute track âCircleâ comprising several movements, âa soundscape of Harperâs difficult youthâ that, according to Harper, was âtotally unlike anything anyone else was doing. The Beatles werenât doing anything like that at the time. The Stones werenât doing anything like it, either. No-one wasâ
Career-wise, the album was notable for establishing a broadening in Harperâs musical style away from the more traditional side of contemporary folk music then played. Harper had an interest in traditional folk but did not consider himself a Bona fide member of the folk scene. He later explained:- I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernise music, but more than that to completely modernise peopleâs attitudes towards life in general. I was involved in trying to bring (more) meat to the (contemporary) folk musicâŠ(of the time).
Harperâs record company had different expectations. "They wanted me to write commercial pop songs and when they heard the albumâŠthey didnât have a clue. They wanted hits. And I gave them "Circle"". Bert Jansch contributed sleeve notes for the album. During this period, Harper was managed by American music entrepreneur Jo Lustig; manager of The Pentangle and former agent to Julie Felix.
[[Release Description]]Come Out Fighting Ghengis Smith is English folk / rock singer-songwriter and guitarist Roy Harperâs second album and was released in 1968. The album was re-issued in 1977 as The Early Years.
Columbia Records, recognizing Harperâs potential, hired American producer Shel Talmy to produce the album. Talmy later claimed that âHarper was difficult⊠truculent⊠we battled. But we got round to itâ.
Musically, the album was notable for the 11 minute track âCircleâ comprising several movements, âa soundscape of Harperâs difficult youthâ that, according to Harper, was âtotally unlike anything anyone else was doing. The Beatles werenât doing anything like that at the time. The Stones werenât doing anything like it, either. No-one wasâ
Career-wise, the album was notable for establishing a broadening in Harperâs musical style away from the more traditional side of contemporary folk music then played. Harper had an interest in traditional folk but did not consider himself a Bona fide member of the folk scene. He later explained:- I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernise music, but more than that to completely modernise peopleâs attitudes towards life in general. I was involved in trying to bring (more) meat to the (contemporary) folk musicâŠ(of the time).
Harperâs record company had different expectations. "They wanted me to write commercial pop songs and when they heard the albumâŠthey didnât have a clue. They wanted hits. And I gave them "Circle"". Bert Jansch contributed sleeve notes for the album. During this period, Harper was managed by American music entrepreneur Jo Lustig; manager of The Pentangle and former agent to Julie Felix.
- Limited Edition reissue originally released in 1967
- Produced by Shel Talmy
- Orchestral Arrangements by Keith Mansfield
- Remastered Audio 2017 reissued on 12â 180gm Vinyl
- Packaged in deluxe gatefold sleeve
- Printed heavy inner sleeve including lyrics, extra notes and images.
- Artwork Redesign by Harry Pearce
- Genre: FOLK
- Format Detail: LP Black
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Format: Vinyl
- Released: 10/30/17
- Internal ID: JIT














