
The Okeh Sessions Vinyl Record
Her mountainous stature matching the sheer soulful power of her massive vocal talent, Big Maybelle was one of the premier R&B chanteuses of the â50s. Her deep, gravelly voice was as singular as her recorded output for Okeh and Savoy, which ranged from down-in-the-alley blues to pop-slanted ballads. She appeared at the Newport Jazz Festival in 1958, and acquired a large following among lovers of the blues, rhythm and blues, jazz and rock and roll. Near the end of her life she even covered hits by the Beatles, andDonovan. Big Maybelleâs career was hampered throughout and cut short by a severe drug addiction, but she packed a lot of living into her shortened lifespan. Itâs worth mentioning how, almost half a century later, the power in her Okeh sessions is still palpable.
With her bold, gritty sound, she comes off like nothing so much as a female Howlinâ Wolf, and one canât imagine her not being an influence on the full-throttle blues of Etta James, Aretha, Janis Joplin and countless others. âSo Good to My Babyâ features typically microphone-distorting belting from the singer, and an appropriately blazing horn section. âGabbinâ Blues,â her 1952 Okeh debut smash, is a humorous dialogue between Maybelle and gossiping rival Rose Marie McCoy, the tuneâs co-writer.
One of the most stirring cuts here is âOcean of Tears,â a percolating, minor-key tune in which Maybelle bemoans her sorrowful state with an unforgettably cathartic angst. Also impressive, though, are ballads such as âYouâll Never Know,â âAinât No Use,â and âYouâll Be Sorry,â which show a pleasant, softer side to Maybelleâs craft. âWhole Lotta Shakinâ Goinâ On,â a song that she took to the top of the R&B charts before Jerry Lee Lewis turned it into a rock & roll anthem, her 1955 single âOne Monkey Donât Stop No Showâ and 1954âs âIâm Getting âLong Alrightâ, are also standouts. New York session wizards such as tenor saxophonist Sam âThe Manâ Taylor and guitarist Mickey Baker provide great support throughout. The tracks contained on this album showcase one of the greatest blues singers of all time, at her prime. De Mayo De
- Stereo recording
- Genre: JAZZ
- Format Detail: 2LP Black
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Format: Vinyl
- Released: 7/25/18
- Internal ID: JIT
Original: $33.99
-70%$33.99
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Description
Her mountainous stature matching the sheer soulful power of her massive vocal talent, Big Maybelle was one of the premier R&B chanteuses of the â50s. Her deep, gravelly voice was as singular as her recorded output for Okeh and Savoy, which ranged from down-in-the-alley blues to pop-slanted ballads. She appeared at the Newport Jazz Festival in 1958, and acquired a large following among lovers of the blues, rhythm and blues, jazz and rock and roll. Near the end of her life she even covered hits by the Beatles, andDonovan. Big Maybelleâs career was hampered throughout and cut short by a severe drug addiction, but she packed a lot of living into her shortened lifespan. Itâs worth mentioning how, almost half a century later, the power in her Okeh sessions is still palpable.
With her bold, gritty sound, she comes off like nothing so much as a female Howlinâ Wolf, and one canât imagine her not being an influence on the full-throttle blues of Etta James, Aretha, Janis Joplin and countless others. âSo Good to My Babyâ features typically microphone-distorting belting from the singer, and an appropriately blazing horn section. âGabbinâ Blues,â her 1952 Okeh debut smash, is a humorous dialogue between Maybelle and gossiping rival Rose Marie McCoy, the tuneâs co-writer.
One of the most stirring cuts here is âOcean of Tears,â a percolating, minor-key tune in which Maybelle bemoans her sorrowful state with an unforgettably cathartic angst. Also impressive, though, are ballads such as âYouâll Never Know,â âAinât No Use,â and âYouâll Be Sorry,â which show a pleasant, softer side to Maybelleâs craft. âWhole Lotta Shakinâ Goinâ On,â a song that she took to the top of the R&B charts before Jerry Lee Lewis turned it into a rock & roll anthem, her 1955 single âOne Monkey Donât Stop No Showâ and 1954âs âIâm Getting âLong Alrightâ, are also standouts. New York session wizards such as tenor saxophonist Sam âThe Manâ Taylor and guitarist Mickey Baker provide great support throughout. The tracks contained on this album showcase one of the greatest blues singers of all time, at her prime. De Mayo De
- Stereo recording
- Genre: JAZZ
- Format Detail: 2LP Black
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Format: Vinyl
- Released: 7/25/18
- Internal ID: JIT














